青年藝術(shù)家是藝術(shù)不斷前行發(fā)展的未來力量。

【中經(jīng)聯(lián)播訊】據(jù)美中時(shí)報(bào)(梅宗寶)美國羅丹國際藝術(shù)家基金會(huì)和德雷塞爾大學(xué)威斯特法爾媒體藝術(shù)與設(shè)計(jì)學(xué)院五月二十五日聯(lián)合推出了國際青年藝術(shù)家優(yōu)秀作品網(wǎng)上觀展。此次藝術(shù)展覽得到了Sherrill Kazan ( 聯(lián)合國人民委員會(huì)主席) ，著名大藝術(shù)家 Ting.Shao.Kuang 丁紹光、Derek Gilman 德?克.吉爾曼、Jun Leng冷軍、Maokun Pang 龐茂琨、Rende Yu 余潤德及DionisioCimarelli 迪奧尼西奧.奇馬雷利等藝術(shù)家們的鼎力支持并出任網(wǎng)上藝術(shù)展覽顧問和學(xué)術(shù)評(píng)委。

“無界東西，國際青年藝術(shù)家優(yōu)秀作品展”是在“全球化”語境下，一次多元紛呈的文化交流與藝術(shù)展現(xiàn)。它以無問東西、生命綻放和獨(dú)立自由之精神，洞見大美、眺瞻大同，凝聚東西方優(yōu)秀青年藝術(shù)家之力作，突破地域局限，重構(gòu)力量，再瞻遠(yuǎn)；以開放包容的全新展陳理念，探索和挑戰(zhàn)藝術(shù)的新境界新形態(tài)，呈現(xiàn)新時(shí)代青年藝術(shù)家之新作為新?象。此展覽展出了國際40余位青年藝術(shù)家的優(yōu)秀近作100幅，這是一批充滿活力和探索精神的年輕實(shí)力派藝術(shù)家，他們內(nèi)心世界豐富，個(gè)人精神狀態(tài)以及自我生存狀態(tài)是他們創(chuàng)作思考和表達(dá)的重要題材。他們的繪畫語言及表現(xiàn)形式都有獨(dú)到之處，值得我們從學(xué)術(shù)研究的角度予以關(guān)注。

文化是需要彼此借鑒、尊重與認(rèn)同的，東西方文化都對(duì)世界文明的發(fā)展做出了偉大的貢獻(xiàn)。文化只有在“無界東西”的視域和氣度中，才能實(shí)現(xiàn)社會(huì)的和諧進(jìn)步與人的全面發(fā)展。青年藝術(shù)家是藝術(shù)不斷前行發(fā)展的未來力量?？v觀歷史，古今中外很多偉大的藝術(shù)作品都是藝術(shù)家在青年時(shí)期創(chuàng)造出來的，許多取得卓越成就的藝術(shù)大師們, 在青年時(shí)代就達(dá)到了藝術(shù)創(chuàng)作的高峰。如文藝復(fù)興三杰中的米開朗基羅和拉斐爾，30多歲前就完成了舉世聞名的巨作《大衛(wèi)》和《雅典學(xué)院》；荷蘭的梵高、法國的修拉、奧地利的席勒、意?利的莫迪?阿尼、美國的波洛克和中國古代的王希孟等等，都是在青年時(shí)期就獲得了杰出的成就。為此，本次“國際青年藝術(shù)家優(yōu)秀作品展”將主題定義為“無界東西”，正是基于東西方文化的歷史發(fā)展淵源，通過展覽行為，搭建國際交流平臺(tái)，展示最新探索成果，呈現(xiàn)當(dāng)代青年國際藝壇異彩紛呈的多元風(fēng)貌，更好地促進(jìn)青年藝術(shù)家們的進(jìn)步與發(fā)展。

本次展覽由美國羅丹國際藝術(shù)家基金會(huì)和德雷塞爾大學(xué)威斯特法爾媒體藝術(shù)與設(shè)計(jì)學(xué)院聯(lián)合主辦，美國女神藝術(shù)博物館、紐約哈德遜當(dāng)代藝術(shù)中心、紐約視覺藝術(shù)學(xué)院（國際美術(shù)教育）協(xié)作支持。

總顧問： Sherrill Kazan (聯(lián)合國人民委員會(huì)主席)

Consultant :? William Schicktanz, Ting. Shao.Kuang

展覽顧問 :? 威廉姆?？颂蛊潱〗B光

Academic Advisor :? Derek Gilman , Jun Leng, Maokun Pang

學(xué)術(shù)顧問：德?克.吉爾曼,? 冷軍,? 龐茂琨

Academic Host : Dionisio Cimarelli，Runde Yu

學(xué)術(shù)主持：迪奧尼西奧.奇馬雷利, 余潤德

Curator : Eva Wang

策展人：王怡心

Overall Coordination: Lida Sun

統(tǒng)籌協(xié)調(diào)：孫利達(dá)

Assistants :? Henry ye,? Daniel Schicktanz，Ryuichi Sato

策展助理：亨利葉, 丹尼爾，佐藤龍?

Chief planning mentor: Ellen Qiongzhao

總策劃指導(dǎo)：艾倫昭瓊

此展覽因疫情原因先以在線展出的形式進(jìn)行，待疫情過后再適時(shí)舉辦線下展覽。展覽展出45位國際青年藝術(shù)家優(yōu)秀作品100幅。

參展藝術(shù)家是 Dongfang Tenghong東方騰弘， Junmu Chent陳俊穆， Junpu蒲軍， Han Mo;默涵 hanwu Tan譚建， Weimin Tang唐偉民， Jie Cai蔡杰，Chengwei Wu吳成偉， Yuzhang張宇， Yuan Lai來源， Xiaobo Wang王曉勃 Wei Wu吳威， Liiuan Zhou周麗萱， Qian Yan楊倩， Qing Zhang張青，Malgorzata Oakes馬爾格薩塔奧克斯， Ming Yu于明， Xuexiandfan范學(xué)賢， Jinfu Liu，林金福 Yangi Zhai翟延奇， Liie Yang楊禮杰， Tianlong Gu，顧天龍 Huaqili-3李華琪， Sariah Park.薩莉亞.帕克， Zhuo Lia李卓， Song Zhou 周松， Yaohong Liu 劉垚宏， Yunchuan Tan譚云川，Chenlin Cai蔡陳林， Kexin Di耶可新， Hezheng鄭樂， Qiaomingi米巧銘， Ziyuntong全紫云， Longque Chen陳龍闕， Dunhuang Chen陳敦煌， Bingling Qian錢炳靈: ingwe Fang方經(jīng)緯; Zilin Huang黃子霖， Zhangliang Shuai帥章亮， Evelyn Bergquist 1伊夫林伯格奎斯特， Marguerita Cruz- Urbane瑪格麗塔克魯茲烏爾班克， Jianfeng Chen陳建豐， Zijun Chen陳子君， David Ma大衛(wèi).馬， Erinantonak艾琳安東納克。

國際青年藝術(shù)家參展群體

國際青年藝術(shù)家優(yōu)秀作品選

Ballerina 53 x 34 cm by Dunhuang Chen

Metaphysics Giant 1917-2017? 300x180 cm? by Wei Wu

Floating life series? 90 x 50 cm by Jie Cai

African dance 180 x 320 cm? byJunmu Chen

March by Longque Chen

3.328-2? 100 x 60 cm? by Zilin Huang

Search for light? 200 x 150 cm by Xiaobo Wang

The spring of hope? 70 x 110 cm by Jianwu Tan

Everything is illusory160 x 128 cm? by Mohan

Aprelude of spring? 120 x 80 cm byYinchuan Tan

Cultural relics return 180 x 150 cm by Jingle Fang

Tibet series? 1 & 2 , 160 x120 cm? by Weimin Tang

Coming home? 200 x 180 cm by? Tianlong Gu

JunkMech? by Longque Chen

Butcher? by? Longque Chen

Braid 90 x 15 x 15 cm? by Lijie Yang

Not Guilty 40 x 40x3750px? by Lijie Yang

1912 - Pay-Respects to the Mausoleum of Emperor Xiaozong of Ming 200 x 170 cm by Jingwei Fang

1918 -? In front of the reddoor? 200 x 170 cm? by Jingwei Fang

RODIN INTERNATIONAL ARTISTS FOUNDATION

The Rodin International Artists Foundation is a non-profit organization that specializes in the development of international public art education and promotes the collection, placement, exhibition, research and academic exchange of public interest art works in several international cities, museums, fine art galleries and national parks. The foundation has established a wide range of business relationships with 30 more museums and art institutions around the world including France, Italy, Germany, the United Kingdom, China, Japan and others. The foundation is headquartered in Philadelphia (USA) while its office is located on the 20th floor of the Rockefeller Building in New York City. It has 3 international artists' collaboration teams and nearly 100 famous international artists.

羅丹國際藝術(shù)家基金會(huì)簡介

羅丹國際藝術(shù)家基金會(huì)是一個(gè)專門從事國際公益藝術(shù)發(fā)展, 推動(dòng)國際城市, 博物館, 美術(shù)館, 國家公園等公益藝術(shù)作品展覽、安置、收藏、研究和學(xué)術(shù)交流的非營利機(jī)構(gòu)?；饡?huì)與世界30多家博物館,藝術(shù)大學(xué)和藝術(shù)學(xué)術(shù)機(jī)構(gòu)建立了廣泛的業(yè)務(wù)關(guān)系,其中包括法國、意大利、德國、英國、中國、日本等。基金會(huì)總部位于美國費(fèi)城, 辦事處在紐約洛克菲勒大廈20層。擁有3個(gè)國際藝術(shù)家協(xié)作團(tuán)隊(duì)和近百名國際著名藝術(shù)家。

BORDERLESS—— EASTERN AND WESTERN

EXCELLENT ARTWORKS EXHIBITION BY INTERNATIONALYOUNG ARTISTS

“Borderless”takes a large perspective on life and love that transcends geographicalboundaries. Parallel with the development of mankind over time, itpresents a view of a unified civilization through beauty in the fine arts, which,it is hoped, will override differences in art forms, ideologies, modes ofthought, as well as lifestyles. Borderless—Eastern and Western: An InternationalExhibition of Young Artists is an exhibition of cultural exchange and apresentation of diverse forms of fine art that, in the pursuit of “globalization”,is intended to stand above regions, nations and countries. With a spirit ofindependence and freedom, the exhibition plans to bridge East and West,promoting civilized exchange. It is in this spirit that the exhibition offersinsights into the beauty created not only by established painters, but also bytalented young artists from East and West, without the limitations of time andspace, so that viewers may gain inspiration and power from the exhibition toreconstruct their perspectives. This exhibition adopted a revolutionaryphilosophy of inclusiveness and liberality, and fosters a new atmosphere for anew era by presenting works of contemporary young artists. Here, differentworks resonate, and new ideas come to life.

Cultural exchange and mutual learning have always been the impetus forthe peaceful development of mankind in the course of history. In the 17thcentury, a group of Chinese people built Four Tang Temples in Nagasaki, Japan.All of the four temples feature strong a Chinese aesthetic and architecture.Master Yinyuan and his apprentices brought “Apricot culture” to Japan which hada great influence on Japanese architecture, sculpture, poetry, painting,calligraphy, as well as medicine. During the Edo period, a Qing Dynasty Chinesepainter named Shen Quan (styled Nanping) was invited by the Shogunate. To teachpainting in Nagasaki, he taught Japanese painters new flower and bird sketchingtechniques in combination with the styles of the Northern Song and Mingdynasties. The emergence of “Nanping School” style had a tremendous impact onthe painting and aesthetic concepts during the Edo period. The trend alsoinfluenced a Japanese folk art called Ukiyo-e. The fusion of therealistic painting skills in Chinese painting and the decorative arts inJapanese painting gave birth to a new style of Ukiyo-e, whichengendered a school of great Japanese Ukiyo-e painters representedby Katsushika Hokusai, Utagawa Toruhaharu, Utagawa Toyokuni, Utagawa Hiroshige,Utagawa Kunisada, Utagawa Kuniyoshi, and Keisai Eisen. This school of paintershas important influences in the art history of Japan.

On the other hand, Western art in the 19th century was, to a greatextent, influenced by Japanese Ukiyo-e. Due to the disparity withWestern classic painting, the unique form of Ukiyo-eprintmaking--with its Eastern philosophical connotations--affected andtransformed Western impressionist and post-impressionist genres and styles.Impressionist painters such as Monet, Degas, Gauguin and Van Gogh were allnoted by their large-scale applications of the Ukiyo-e skills suchas intense colors on the plane, free use of non-central structural composition,lack of perspective, and shadow skills. These painting skills and styles becamethe essential sources of their creativity and expression. In a sense,Ukiyo-e affected the transformation and development of the entireWestern modern art.

Russia is located in the intersection of Western and Easterncivilization and cultures. Historically, Russia has taken influences of bothEuropean religion and philosophy as well as Eastern cultures in forming itsunique national characteristics and culture. Since the 1030s, under thespecific historical circumstances, the political and cultural contact betweenRussia and China had been greatly increased. Hence, Soviet or Russian artgreatly influenced the development of Chinese modern art. In the 1950s, Sovietart was generally/comprehensibly introduced into China? as“socialist realism” which had tremendous influence on the creation of a uniquestyle of Chinese art called “revolutionary art”. Master Xu Beihong, whocompleted his art studies in France, also provided affirmation to the Sovietrealism painting. He wrote a preface for the book “History of Soviet Art,”published in 1936 in China. The book made a contribution to the development ofthe school of realism in China.

Since the 1980s, modern and contemporary art in the Western world becamemore closely connected and intertwined with Asian culture. At that time, modernand contemporary art was taking its shape in China. The iconic American art masterssuch as Andrew Wyeth, William De Kooning, Paul Jackson, Andy Warhol, RobertRauschenberg and others greatly influenced not only the birth and developmentof modern art in China but also the artistic creation by young Chinese artists.With China’s reform and open-door policy, reference and integration of Westernculture into Chinese culture helped Chinese artists expand the aesthetic horizon,exploring new landscapes of Chinese contemporary art to forge the newdiversification of art development in China.

BothEastern and Western cultures made and are making significant and imperishablecontribution to the development of world civilizations. Development of culturesand civilization can be realized only in the harmonious progress of humansocieties and overall development of mankind with tolerance to diversecultures of the world. Young artists are the futuristic force driving the ceaselessflourish of art. Throughout history, it’s common in both East and West thatmasterpieces were created by artists in their youth, and masters reached theapex of their artistic career in juvenescence. For example, Michelangelo andRaphael, two of the so-called Big Three of the High Renaissance,completed the world-renowned masterpieces David and The Schoolof Athens before the age of 30. Van Gogh in the Netherlands, Seurat inFrance, Schiele in Austria, Modigliani in Italy, Pollock in the United Statesand Ximeng Wang in ancient China, all achieved exceptional achievements intheir youth. Ergo the theme of “Exhibition of Excellent Works fromInternational Young Artists” was set to be “Borderless-East and West”, buildingon the history of communication and collision between Eastern and WesternCultures. In this exhibition, we earnestly seek to build a platform for internationaldiscourse and cutting-edge explorations, present the colorful andmulti-dimensional nature of modern International youth art, and there-foreboost the growth and advancement of young artists globally.

This exhibition is co-sponsored and co-hosted by the Rodin Internationalartist Foundation f The United States and Drexel University, Westphal Collegeof Media and Design. We appreciate those internationally renowned artists whoparticipate in the exhibition for sowing friendship in the land of art to advocatepeace, introduce cultures and promote harmonious coexistence of differentcultures in the world. Due to the Covid-10 pandemic, this exhibition will beheld online first. An offline exhibition will be prepared at an appropriatetime after the pandemic. he exhibition features more than 100 works by 45international artists.

RODIN INTERNATIONAL ARTISTSFOUNDATION

The Rodin International Artists Foundationis a non-profit organization that specializes in the development ofinternational public art education and promotes the collection, placement,exhibition, research and academic exchange of public interest art works inseveral international cities, museums, fine art galleries and national parks.The foundation has established a wide range of business relationships with 30more museums and art institutions around the world including France, Italy,Germany, the United Kingdom, China, Japan and others. The foundation isheadquartered in Philadelphia (USA) while its office is located on the 20thfloor of the Rockefeller Building in New York City. It has 3 internationalartists' collaboration teams and nearly 100 famous international artists.

Important exhibition preview on June 25.

6月25日重要展覽預(yù)告。

無界東西——與大師同行，國際著名藝術(shù)家作品展

BORDERLESS—— EASTERN AND WESTERN

“WALKING WITH GREAT ART MASTERS”

An Exhibition Works by Internationally Renowned Artists